Film Review: Iron Jawed Angels

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glass negative, Alice Paul, Bain News Service, LOC
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Today, when it seems that everyone is getting a make-over, so are the suffragists. Iron Jawed Angels, a recent film by HBO, dramatizes the final years of the American woman suffrage movement, from 1912 to the winning of the vote in 1920. Historians familiar with the classic documentary One Woman, One Vote (1996) will be amused by how the suffragists have been updated and recast to mirror our own contemporary sensibilities. This film portrays these women as you have never seen them before: shopping for fashionable hats, smoking and lounging in their undergarments, and marching to a soundtrack of hip-hop rhythms. They are more than “new women”; they are 21st-century women in their casual manner, informal speech, and attitudes toward men and sexuality. With this approach, the film modernizes our political foremothers in an attempt to win new audiences in a postfeminist age.

The film modernizes our political foremothers in an attempt to win new audiences in a postfeminist age.

Tensions between veteran activists and “new suffragists” are at the heart of the story. Hilary Swank stars as the outspoken and determined Alice Paul, and Frances O'Connor plays her faithful comrade, Lucy Burns. The dynamic duo represents the more youthful, radical wing of the movement, which confronts the more conservative Carrie Chapman Catt (Anjelica Huston) and Anna Howard Shaw (Lois Smith), president of the National American Woman Suffrage Association (NAWSA). Allied with the Democratic party and the new president, Woodrow Wilson, Catt continues to support a gradual state-by-state campaign. She is portrayed as traditional, stuffy, and arrogant compared to the playful, optimistic, and impatient Paul who launches public demonstrations, supports a federal suffrage amendment, demands immediate results, and condemns the Democrats and Wilson, even in the midst of war. Paul and her allies eventually split with NAWSA to form a separate organization, the National Woman's Party. While historians have focused on the militant tactics of the new suffragists, the film fixates on their colorful personalities to separate them further from the old guard.

For an audience new to women's history, it conveys the very serious barriers to women's political participation and social justice.

Although the filmmakers try to reinvent the image of the suffragists, the storyline is based on the real troubles and triumphs of the campaign's final years. For an audience new to women's history, it conveys the very serious barriers to women's political participation and social justice. When the activists are physically attacked as they protest peacefully, the true hostility toward woman suffrage comes alive. The movie also contains a chilling portrayal of Paul's jail experience, showing her psychoanalyzed in the mental ward and violently force-fed after initiating a hunger strike. The film even acknowledges the racial tensions between white suffragists and African American activists, highlighting Paul's conflict with Ida B. Wells before the Washington, DC, parade in 1913. The film does take many liberties, however. For example, it overstates the influence of the radicals in winning the vote, downplaying the concerted effort of the entire suffrage spectrum and the impact of women's work and volunteerism during World War I. While historians have described Alice Paul as intellectually vigorous, personally conservative, and politically militant, the film transforms her into a spunky rebel who knows how to have fun but is still fully committed to her cause.

But this emphasis on beauty and charisma would surely disturb the suffragists, who would find these characters very foreign.

Is this what it takes to attract new audiences to women's history? In an age when many young women resist the feminist label, the film invites them to connect with feminists who are single, young, independent, sexually vibrant, and, of course, physically attractive. But this emphasis on beauty and charisma would surely disturb the suffragists, who would find these characters very foreign. This approach will also irritate historians of gender who have worked hard to define the suffragists as serious political actors and to integrate them into the American historical narrative. Viewed with a critical eye, Iron Jawed Angels could be useful for instructing students about history and popular culture, Hollywood and historical interpretation. It also forces us to grapple with more than feminism and its discontents. It can generate needed reflection on the ways historians can also be guilty of constructing historical personalities as they want to see them, by ignoring issues of race or dismissing the personal failures of our subjects. The challenge, then, remains to promote interest in women's history and still teach about who we think the suffragists were, rather than who we want them to be.

Bibliography

This review was first published in the Journal of American History, 91:3 (2004): 1131–1132. Reprinted with permission from the Organization of American Historians (OAH).

Salem Witch Trials: Documentary Archive and Transcription Project

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Image, Witchcraft at Salem Village, 1876, Salem Witch Trials
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This website presents a valuable collection of resources for examining the Salem Witch trials of 1692. There are full-text versions of the three-volume, verbatim Salem Witch trial transcripts, an extensive 17th-century narrative of the trials, and full-text pamphlets and excerpts of sermons by Cotton Mather, Robert Calef, and Thomas Maule. The site also offers four full-text rare books written in the late 17th and early 18th centuries about the witchcraft scare. Descriptions and images of key players in the trials are presented as well.

Access is provided to more than 500 documents from the collections of the Essex County Court Archives and the Essex Institute Collection, and roughly 100 primary documents housed in other archives. There are also seven maps of Salem and nearby villages. Basic information on the history of Salem/Danvers is complemented by eight related images and a brief description of 14 historical sites in Danvers.

Jo Freeman.com

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Photo, "The tour bus," Million Mom March, Jo Freeman, 2004
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A collection of articles and photographs by Jo Freeman, feminist activist, analyst, reporter, and political consultant from the 1960s to the present-day. Offers more than 70 articles—most of which have been published previously—arranged in 13 categories. These include the feminist movement; women's political history; women, law, and public policy; and social protest in the 1960s. Freeman, who worked on the Senator Alan Cranston 's campaign staff during his 1984 run for president, also offers her diary that reveals day-to-day details of campaign life. Freeman's recent writings for Senior Women Web offer her perspectives on current issues.

Also includes more than 40 photographs taken by Freeman at the Democratic conventions of 1964 and 1968; the 1966 "March against Fear," led by James Meredith; Eugene McCarthy's 1968 presidential campaign; and flags displayed at Brooklyn locations in response to the September 11, 2001, attacks. A 2,300-word biographical essay by historian Jennifer Scanlon provides a cogent summary of Freeman's public life and thought. The site is word-searchable and provides 30 links to politically-oriented sites. Of interest to those studying U.S. women's history and political activism since the 1960s.

Home Economics Archive: Research, Tradition, History

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Photo, Dishes, Home Economics Archive: Research, Tradition, History
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This site offers books and journals related to the science of home economics. Its goal is to document the rise of home economics to a profession, beginning around the middle of the 19th century, and to correct an academic marginalization of the field.

Primarily focused on the years from 1850 through 1925, the site contains digitized texts of 934 books and 218 journal volumes, totaling almost 400,000 pages. Visitors may use the search engine, or look through the Subject index, or browse alphabetically by author, title, or year of publication.

Topics range from Child Care to Housekeeping to Retail. Each entry includes a 500- to 750-word essay, two or three images, a very detailed bibliography (available as a PDF file), and a list of possible subtopics. This is an outstanding site full of primary sources and a great resource for researchers, students, and teachers.

Gifts of Speech: Women's Speeches from Around the World

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Logo, Gifts of Speech
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Charting changes in women's rhetoric in the public realm from 1848 to the present is possible through this archive of more than 400 speeches by influential, contemporary women. These include prominent female politicians and scientists, as well as popular culture figures. There is an emphasis on the United States (particularly after 1900), including speeches from women as diverse as Elizabeth Cady Stanton, Sojourner Truth, Mary Church Terrell, Marie Curie, Helen Keller, Emma Goldman, Eleanor Roosevelt, Betty Friedan, and Ayn Rand. A nearly complete list of Nobel lectures by women laureates provides access to acceptance speeches.

The search function is particularly useful for pulling speeches from a diverse collection into common subject groups. It also allows for the study of the language of women's public debate by following changes in the use of particular metaphors or idioms, such as the concept "motherhood."

Fly Girls

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Image, American Experience: Fly Girls
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A companion site for a PBS American Experience documentary on the Women Airforce Service Pilots, or WASPs, who flew military support missions during World War II. More than 1,000 women participated in the program, marking the first time women piloted aircraft for the U.S. Army. The site includes 16 documents—including official correspondence, letters, and certificates—and transcripts of interviews with two of the pilots, a historian, and a general. Additionally, it offers a transcript of the complete one-hour broadcast; a 3,430-word excerpt from a book by a WASP test pilot; biographies of approximately 1,200 words each of three WASP pilots and three female pilots from earlier times; two video clips; a 2,100-word introductory essay; and a 1,000-word history of the B-29, a dangerous bomber WASPs flew in order to convince resistant male pilots that the plane was safe.

The site also provides a timeline, a bibliography of 22 titles, and a reference guide for teachers. With its emphasis on the experience of these pilots as women—they suffered ridicule, attacks in the press, and possibly even sabotage to their aircraft, then disbanded in December 1944 when male pilots lobbied for their jobs—the site will be of interest to those studying women's history, in addition to military history.

Betty H. Carter Women Veterans Historical Project

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Photo, Portrait of Irene Parsons, circa 1945, University of North Carolina
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The Betty H. Carter Women Veterans Historical Project provides access to a wide variety of sources related to the role of women in the military. These document the female war experience, how male-female integration has changed the armed forces, and more.

Sources available through this collection include diaries, oral histories, uniforms, military patches, scrapbooks, posters, books or pamphlets, photographs, and letters. The oral histories alone number more than 300, and are available as transcripts.

There are three ways to access the site content. You can either run a keyword search; select a military branch or related organization—Air Force, Army, Coast Guard, Marines, Navy, Red Cross, Cadet Nurse Corps, or foreign and/or civilian; or select a conflict—World War I, World War II, the Korean War, the Vietnam War, Post-Vietnam/1980s, or Gulf War/War on Terrorism. Selecting a branch or conflict will provide a list of the types of sources available, as well as how many of each there are. Select your source type of interest to see the individual items.

American Women's Dime Novel Project

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Book cover, "Wild, and Willful, or a Hoiden's Love," Lucy Randall Comfort
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This site examines the changing role of women's dime novels in America from 1870 to 1920. Rather than simply collect texts or author biographies (although it does that), the site is built around the goal of analyzing the novels and placing them in historical context. A 3,000-word Overview describes the novels' growth in popularity and explains their appeal to working-class audiences. In addition, it details the Comstock campaign against dime novels that blamed novels for glorifying petty crime such as larceny. There are 250-word biographies of 24 authors who specialized in dime novels, as well as title lists for each of the authors. Except for the explanatory essay and the biographies, the bulk of the site consists of approximately 300 primary source materials, including 12 journal articles dating back to 1875. The website also offers links to three outside collections of dime novel cover art and contains a list of archives with significant collections of dime novels in their holdings (the collections include 285 novel covers), including the Library of Congress. The site includes 12 essays by 20th-century scholars examining the importance and impact of dime novels, and a chapter from an 1860s dime novel, Willful Gaynell. Despite its reliance on secondary sources rather than primary, the site provides a useful introduction to studies of 19th- and early-20th-century women's literature.

Across the Generations: Exploring U.S. History through Family Papers

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Photo, Edward Kellogg Dunham, Sr., with daughter Theodora, Wilhelm (?), 1897
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This collection from one of the nation's leading repositories for sources on women's history features photographs, letters, account books, diaries, legal documents, artwork, and memorabilia generated by four prominent northeastern families from the late 18th through the early 20th centuries. The four families—the Bodmans, Dunhams, Garrisons, and Hales—are white, middle-class families, and their experiences represent only a portion of American society in the 19th and early 20th centuries.

This site features 63 documents and images gathered from the families' papers ,and there are two ways to navigate them: by family or by one of four themes (Family Life, Social Awareness and Reform, Arts and Leisure, and Work). Each family or theme has its own page, with short (350–500 word) interpretive text combined with excerpts from the documents. Each excerpt is accompanied by links to the entire document—both a scanned image and a transcription.

The theme "family life" contains documents that reflect courtship patterns over the 19th century, childrearing practices, and 19th-century gender roles. "Social awareness and reform" features items related to the abolition of slavery and changing perceptions of race, and women's suffrage. Some of the materials within "arts and leisure" reflect increased opportunities for professional women artists in the late 19th and early 20th centuries. The "work" theme includes materials that demonstrate the barriers women faced within the workplace. This site, when supplemented with additional resources, can help show students how to use family papers to study U.S. history.

Martha Ballard

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Spurwink Marsh, Maine, Library of Congress
Question

How would I find more information on Martha Ballard’s religion and other personal information to help me write a better primary source analysis?

Answer

To learn about 18th-century Maine midwife Martha Ballard, first, read Laurel Thatcher Ulrich’s A Midwife’s Tale: The Life of Martha Ballard, Based on Her Diary, 1785-1812 (New York: Vintage, 1991). You could also watch the 1998 PBS video A Midwife’s Tale which comes with a teacher’s guide.

Second, look at the resources collected for the “case study” on Martha Ballard on the Do History website. The website has an archive of some primary sources, including extensive selections from her diary, giving some background and context for Ballard’s religion.

Third, a “Martha Ballard Study Pack,” a study guide for students of A Midwife’s Tale, and a lesson plan for teachers is available from BookRags.

A good website for teachers on the history of Maine with plenty of primary resources is the Maine Historical Society’s Maine Memory Network. Included on that site is Religion on Maine’s Frontier, an online essay with selected images.

If you wish to begin digging into the history of the everyday life of the people of Maine, you should also take a look at the available sources on Maine history and genealogy at Cyndi’s List.

For more information

Valentine Seaman, M.D. The Midwives Monitor, and Mothers Mirror: being three concluding lectures of a course of instruction on Midwifery. New York: Isaac Collins, 1800.

Oxford, Maine, historical information